Where in the World

Houses that fit in the palm of your hand, homes built with methacrylate, fabric, and branches: this series explores the idea of ​​dwelling as a poetic act. Each piece is an impossible architecture, an emotional model where refuge is not a place but a state—the feeling of being somewhere in the world, regardless of exactly where.

These object-houses engage with the exhibition space like nomadic inhabitants, bringing the intimacy of home into the open air of the gallery. The series questions where the map ends and the territory begins, where the house ends and the person who inhabits it begins.